Never again a Mexico without us. The voice of domestic workers in their struggle for the ratification of ILO’s convention 189

Main Article Content

Mauricio Patrón Rivera

Abstract

This article explores the discursive dimension of human rights in the struggle of organized domestic workers in Mexico. In particular, the cases of the Center for Support and Training for Home Employees (CACEH, by its spanish acronym) and the National Union of Men and Women Home Workers (Sinactraho, by its spanish acronym) will be addressed.


To understand the importance of making a new use of words in the field of politics, I appeal to exposing the relationship between word and institution, and then advance over the emergence of home workers as a new political and collective subject defined from a strategic essentialism.


From here, I propose a path over international and national legal frameworks to understand how the vocabulary of home workers has been placed in the language of human rights. Subsequently, I make an analysis of various testimonies and documents of organized home workers, based on their struggle for the ratification of Convention 189 Concerning Decent Work for Domestic Workers of the International Labor Organization.

Article Details

How to Cite
Patrón Rivera, M. (2017). Never again a Mexico without us. The voice of domestic workers in their struggle for the ratification of ILO’s convention 189. Revista métodhos, 1(12), 90–118. Retrieved from https://revista-metodhos.cdhcm.org.mx/index.php/metodhos/article/view/92
Section
Número 12
Author Biography

Mauricio Patrón Rivera

Universidad Iberoamericana (UIA)
Ciudad de México, México

Realizó estudios de periodismo en la Universidad Nacional Autónoma de México, el Programa de Estudios Independientes del Museo de Arte Contemporáneo de Barcelona, y Derechos Humanos en la Universidad Iberoamericana. Desde 2015 ha colaborado con el Centro de Apoyo y Capacitación para Empleadas del Hogar y el Sindicato Nacional de Trabajadores y Trabajadoras del Hogar. Es parte del colectivo Tepetongo, Balneario Crítico, que busca generar discurso a partir del cruce del arte y la política, con énfasis en los feminismos y la descolonialidad.